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9/15/08: Much good news

Word count: 3209 | Since last entry: 1660

A thousand words today on the werewolf story. (Did I mention I’m working on a werewolf story?)

A sale! “Galactic Stress” to Mike Brotherton for Diamonds in the Sky, an online anthology of stories demonstrating astronomy concepts. It’s not the most literary story I’ve ever written, but I hope it helps some students understand just how freaking big the galaxy is. Thanks again to Elise for the title.

An email from Wordstock, “Portland’s Annual Festival of the Book,” acknowledging that I will be a speaker this year. According to the Oregonian, this year’s festival will have a focus on popular genres such as SF, mystery, and graphic novels.

A Google search reveals that “Titanium Mike Saves the Day” has been translated into Czech, in the Summer 2008 issue of the Czech edition of F&SF.

We attended a delightful Al Stewart concert, which Kate has blogged about.

I attended a workshop (well, it was more of a talk with extensive Q & A, but still worthwhile) with monologist Mike Daisey. He had some interesting things to say about how and why he does what he does, and some of it was applicable to writing, especially the four questions he asks himself when he’s creating a new show: Is it essential? (Does it cut to the essence of what you mean to say?) Is it disruptive? (Does it shake up the status quo?) Is it cathartic? (Does it take the audience to a place they could not have reached on their own?) Is it broken? (Art should be broken; if you polish off the rough edges it is no longer compelling. Don’t be a good student.) We also talked a bit about Nikola Tesla, and I went to the library after the workshop and checked out a book on Tesla. I feel a Tesla story trying to sneak up on me, but it will have to wait… after I’m done with the werewolf story I must must must edit novel #2 and get it out the door.

I’ve been reading an old Pogo collection. When I was a kid I hated it, but I know a lot of Pogo fans, so I thought I’d give it another try. Turns out I just wasn’t sophisticated enough for it. It’s sharp, witty, topical, and yet humane, with a keen ear for dialog, and just tons of fun to read. I’d thought it was a surreal strip like Krazy Kat, but apart from the boat (whose name changes from panel to panel) it’s extremely linear; even the little bugs and worms in the background have their own consistent stories (and some great little side gags) from panel to panel.

And one bit of bad news for balance: the lenses of my glasses were getting kind of scratched up, so I had new ones made (covered by the warranty on the anti-scratch coating) and I just got them today. Unfortunately I think there is something wrong with the left one: an area of distortion and bad focus like a tiny black hole just a little below and to the left of center. I hope they haven’t sent the old lenses back yet.

9/11/08: Chuggin’ along

Word count: 1549 | Since last entry: 1011

Kate was off at a knitting workshop most of the day (and also succeeded in getting a third iPhone — this time for sure!). I stayed home and wrote. I wasn’t as consistent as I would have liked (AIM is seductive) but I did get a thousand words down. More tomorrow.

9/10/08: TBA:08

Word count: 538 | Since last entry: 538

We’ve seen some amazing things at this year’s Time-Based Art (TBA) Festival. This is TBA’s sixth year and the first year I’ve attended. In the past I looked at the glossy, over-designed festival program and figured it was too artsy. I was partly right, but partly wrong. Friend Janet Lafler explained to me that it is, in effect, the Portland Fringe; it’s full of amazing theatre, interesting lectures on architecture and urban planning, and hands-on workshops. There’s also weirdo performance art, tedious ballet, and strange art-like installations, but you don’t have to attend those. I’m sorry I waited this long to try it.

Here’s what we’ve seen so far:

MONOPOLY!, a monologue by Mike Daisey (probably best known for 21 Dog Years, a monologue about his time staffing the tech support phones at Amazon). This performance wove together the game of Monopoly, filming a training video with Bill Gates, the life of Nikola Tesla, one town’s surrender to Wal-Mart, and trying to create a one-man show about Tesla featuring a giant Tesla coil. Not all the pieces really fit together, but it was absolutely hilarious. At one point, when Daisey was describing Microsoft Word as being like a neurotic ex-girlfriend, the audience was laughing so hard we couldn’t even hear him, but his waggling fingers as he described how Word fiddles with your text just made everyone laugh harder.

A lecture by historian Carl Abbott and architecture critic Randy Gragg about the history of Portland’s South Auditorium District, which is simultaneously an urban renewal horror story (54 blocks of Italian and Jewish neighborhoods were torn down in favor of office parks and condos) and an urban renewal success story (three of the world’s finest parks were created). Lots there I didn’t know, much to think about.

The Portland tour of Tilburg. Okay, picture this: lay the map of the town of Tilburg in the Netherlands over the map of Portland. Now take a group of 30 tourists across Portland on a walking tour of Tilburg, hitting all the major historical and artistic sights, pointing out interesting features of the cityscape, and discussing the impact of urban planning and new development — all without leaving Portland. Our guide Khris Soden started us off with a brief lesson in Dutch, then led us at a brisk pace across “Tilburg.” He described a sculpture while gesturing at a parking meter, then opened an invisible door to allow us into a Tilburg shopping mall that in Portland was an ordinary street. (We were provided with booklets of photographs so we could see the Tilburg streets we were walking along, but they were optional.) It was a fascinating exercise. It was like watching one movie while listening to the soundtrack of another. It was a unique way of getting a real, physical understanding of another city, including its size, the relationship of its parts, and its overall “feel.” And after TBA winds up, he’ll be jetting to the Netherlands to present The Tilburg Tour of Portland! See Khris Soden’s web page for more on this fascinating tour. Note that the pictures in the “Greetings from Tilburg” postcard are actually pictures of Portland and vice versa.

On Saturday I’ll be attending an extemporaneous autobiographical monologue workshop with Mike Daisey, and on Sunday we’re going to an Al Stewart concert, which isn’t part of TBA but should still be very cool.

Meanwhile…

  • The wordcount above is for a new story about werewolves in suburbia, which I should really be spending much more time on than I have been.
  • Bathroom remodel planning is all done. We have obtained almost all the pieces it is our responsibility to obtain. Demolition begins September 17.
  • I’ve decided to try this “instant messaging” thing that all the hep kids are talking about. My AIM screen name is my email address (dlevine at spiritone dot com). I’m not online very much, but if you see me online feel free to chat.
  • Kate dropped her two-month-old iPhone and shattered the screen. The “repair” (a replacement phone) cost $200, which is exactly what the phone cost in the first place (better than buying a new phone over the counter, which is $400 if your two-year contract is not yet up). But the replacement phone seems to have a problem with its accelerometer and will be going back to the Genius Bar tomorrow. Argh.
  • We’ve decided, at about the last possible minute, to attend Foolscap.
  • Don’t forget that I will be giving a reading in San Francisco on September 20, part of the SF in SF reading series. Nick Mamatas will also be presenting.

8/26/08: …and, done!

Word count: 4560 | Since last entry: 689

Finished up the story I started on Sunday (it’s titled “Galacic Stress,” and thanks again to Elise for that) at the coffee shop tonight, and sent it out for a real quick critique. It’ll go in the mail tomorrow.

Went to dinner afterwards with Jay, Karen, and Carole, where I managed to emit three witticisms in quick succession that literally left Jay speechless. He immediately blogged the first one, right there at the table, and the third one was “Did I make milk come out your nose? You aren’t even drinking milk, are you?”

None of us can remember what the second one was. But it was a good’un.

8/25/08: Big writing day

Word count: 3871 | Since last entry: 3299

Today started off at Rejuvenation, the lighting and house parts store, for lighting for the bathroom. (Me to Kate: “I want to go to Rejuv today.” Truly, we live in a science fiction world.) Demolition on the bathroom is currently scheduled to start on September 17 and we have to have all the lighting and other accessories in hand before then.

Shopping trips to Rejuv can easily take all day, but in this case we already knew pretty much what we wanted and we were back home, with lamps in hand, by lunch time. (All but one fixture, which will be shipped later this week.)

In the afternoon, while Kate went online in search of towel rods, toilet paper holder, and other such oddments, I sat down to work on a story inspired by something I’d learned at Launch Pad. This one really has to be in the mail this week, and although I started it yesterday, I only made about 500 words yesterday and I was concerned that I wouldn’t finish in time at that pace.

I needn’t have worried. I wrote almost 3300 words today (even with a trip to Rejuv and making dinner). That might conceivably be a personal record. I think this was possible largely because I’d already thought the story through quite thoroughly; also, it has a linear plot, only one real character, and is based on science stuff I already know pretty well (though I have a couple of web pages open for reference). As literary fiction it’s pretty thin, but I think it will work for the target market.

Now I need to come up with a plausible climax. I know what has to happen, but not exactly how. I don’t doubt I’ll finish tomorrow. The question is, should I even try to get a quick critique before I send it in? It would have to be 24-hour turnaround, and I don’t feel I can impose on my critique group as I haven’t been able to attend a meeting lately (nor will I, until October.)

To bed now. More writing tomorrow.

8/21/08: Hold harmless

Finished editing the magic lesbian plumber story and put it in the mail. Also finished putting the labels and stamps on the mailed copies of Bento #20. Also went to the gym, had lunch with a writer friend, and did some other errands.

I had a humungous list of to-do items when we got back from Denver. It’s now almost two weeks later and I’ve gotten most of the stuff in the “do today” and “do this week” sub-lists done, and part of the “do next week” list. I knew at the time the list was insanely ambitious, so this is reasonable progress. Still much to do before we leave for Farthing Party, a week from today.

One of those to-do list items is to blog about a contract issue. I mentioned this issue at lunch with some newer writers during the Worldcon, and they suggested that I ought to blog it as a public service announcement.

A while ago I got a contract from a market I’d never sold to before. It included the following clause:

Author hereby agrees to indemnify and hold harmless Publisher against any cost, loss, damage, expense and judgment resulting from any breach of Author’s warranties and representations herein, including, without limitation, any settlement payments and attorneys’ fees and expenses, costs and disbursements.

Can you spot the problem?

At first glance this seems harmless (you should pardon the expression) enough. It means that if I, the Author, mess up and violate the warranties set up earlier in the contract — that is, if the story is not original, or is not my own work, or has been published before, or contains slanderous or libelous material — it’s my fault and not the Publisher’s, and I have to pay the damages.

The problem here is that the clause is missing the magic words “action finally sustained.” As written, it enables the Publisher to respond to anyone who comes to them with an unsubstantiated claim like “this story of the Author’s sends out klystron radiation that sterilized my cat!” by saying “okay, here’s a million bucks” and it’s the Author, not the Publisher, who has to pay it (plus attorney’s fees and expenses).

Of course, you don’t expect the Publisher to actually do that. But one of the rules of contracts is that you have to assume that the moment the contract is signed, both you and the Publisher will be hit by a meteor and the Publisher will be replaced by your worst enemy in the world. The purpose of contracts is to protect both sides from anything like that.

So. Adding the magic words “action finally sustained” means that the Publisher can’t just settle any random claim using the Author’s money. It means that you only have to pay out if the claim stands up in court.

I responded to the contract above by suggesting the following new language:

Author hereby agrees to indemnify and hold harmless Publisher against any cost, loss, damage, expense, and judgment in any action finally sustained resulting from any breach of Author’s warranties and representations herein, including, without limitation, attorneys’ fees and expenses, costs and disbursements.

The Publisher accepted this change and thanked me for suggesting the new language.

The moral of this story is to read and understand your contract, look for the magic words “action finally sustained,” and don’t be afraid to negotiate.

8/16/08: O hai

I still owe you a Worldcon report, but here’s a brief “I’m not dead” report consisting of several miscellaneous items.

I came home from Denver to a mile-long to-do list. I’ve been terribly busy and productive in the last week, but not so much with the writing. Lots of “writing-related program activities,” though, including galleys, submissions, self-promotion, and such.

I was on jury duty. As it happened, I was called down for one jury but not selected. But I have done my civic duty.

At a Worldcon panel, Tom Whitmore defined “famous” as “more people know you than you know people.” (This implies that anyone with a poor memory is “famous,” but never mind that.) Apparently, though, I am famous, because after I mentioned in the jury panel that I am a science fiction writer two people came up to me to talk with me about it. And when I deposited my most recent check at the bank, the teller looked at the check and said “what’s this about a Nebula award?” so I explained to him that the story hadn’t won but will be appearing in the annual Nebula anthology. I gave each of these three people a Space Magic promotional card. I feel so professional. (But see above about writing-related program activities vs. actual writing.)

Now that it’s been officially announced, I can reveal that I sold short story “Sun Magic, Earth Magic” to new webzine Beneath Ceaseless Skies. The first draft of this story was written for a challenge from my Writers of the Future 2002 alumni group, which was to write a story in 24 hours on the topic of caving or cave diving. It was inspired by the story of caver Floyd Collins, who was trapped in Sand Cave in 1925. Another story written for the same challenge, “We Are the Cat” by Carl Fredrick, was published in Asimov’s.

As previously mentioned, I will be appearing in San Francisco on September 20, as part of the SF in SF reading series. The new news here is that my co-presenter will be Nick Mamatas.

8/5/08: Launch Pad, day 6

Okay, this time I really will be brief. We have to make an early start tomorrow.

We started off the day with a talk by Ruben Gamboa on computing in astronomy. Modern astronomy is all about computers — the days of staring through eyepieces and developing film in darkrooms are over. Computers are used for controlling equipment, automating repetitive tasks, organizing data, and building scientific models. Computers are very good at boring tasks like looking for comets and supernovas, so most comets these days are named after discoverers like NEAT (Near-Earth Astronomical Telescope) rather than Hamner-Brown. The next generation of survey telescopes will generate 30TB of data per night (that’s half a Library of Congress or 1/20 of YouTube). Google is working with LSST to build a system to manage all this data. And scientific models (usually systems of partial differential equations) are now being used more and more with brute-force computational techniques rather than by being solved in the conventional way (many useful models can’t easily be solved). In the future, scientific models will be computer programs rather than systems of equations.

Jerry Oltion then gave a loose, interactive talk on humans in space and astronomy in fiction. A few tidbits:

  • The human body does not explode in vacuum. One NASA volunteer was exposed to hard vacuum in a space suit test accident; he passed out after 14 seconds (his last conscious memory was of the water beginning to boil on his tongue) but they restored normal atmospheric pressure quickly and he survived just fine.
  • Space capsules and space stations tend to stink badly, and this is a serious problem.
  • Air in free fall does not convect, which means that everything that heats up has to be cooled by fans; the space shuttle is LOUD inside.
  • Sex in space has almost certainly happened, but Jerry thinks that the reason nobody has talked about it is that it’s not all that good. In space your nose stuffs up, you smell, perspiration doesn’t evaporate, your blood pressure goes down, and experiments on the Vomit Comit have shown that even hanging onto each other and achieving penetration is a hassle.
  • Stan Schmidt warns writers that it is extremly unlikely to have a habitable planet around a star with a name. (Named stars are all bright, and the bright stars tend to be too hot or too large for Earth-like life.)
  • There is an “extra” day in the sidereal year (vs. the solar year) because the Earth rotates once per year due to its orbit around the sun, in addition to its daily rotation. For every 365 times the sun rises, the stars rise 366 times.
  • If the moon is visible in the West, the tide is going out (generally speaking). Similarly, if it’s visible in the East, the tide is coming in.

Mike Brotherton’s grad student Rajib Gauguly then gave a talk on quasar absorption lines (“studying gas you can’t see using light that isn’t there”) which was highly technical, but after six days of this we had the background to understand it. Mostly. I’m not going to try to summarize it here.

We finished up with a brief talk on the search for exoplanets (there are 228 known exoplanets around nearby stars, some as small as 5 times the mass of the Earth), an open Q/A period, evaluations, and logistics for getting everyone home. We all went out to Laramie’s only Thai restaurant for dinner, then went back to the dorm and packed.

All done. Whew. What a week. I learned a lot, hung out with some great people, and ate way too much.

We head off to Denver for the Worldcon bright and early tomorrow. My program schedule:

  • Wed 11:30: Launch Pad: Astronomy for Writers
  • Wed 16:00: Reading: David Levine
  • Thur 10:00: Short Fiction: On its way out or a way to break into the market?
  • Thur 14:30: Have blogs and listservs replaced fanzines?
  • Fri 10:00: Clarion West Writers Workshop: How it Helped My Career
  • Fri 13:00: Signing (45 minutes)
  • Fri 14:30: Kaffeeklatch
  • Sat 11:30: Clarion West Student Readings, the 21st Century

I’d greatly appreciate it if you’d show up for my reading and Kaffeeklatch. I can promise fun conversation and silly noises.

8/4/08: Launch Pad, day 5

Woke up early enough today for breakfast in the dining hall (which is only open 7-8am, what were they thinking?) and conversation with about half the gang. The downside is that I got less sleep than usual and am now tired and headachey, so this entry will be shorter than yesterday’s (if I know what’s good for me).

Mike Brotherton started off with a lecture about galaxies and cosmology. Almost everything we can see with the naked eye at night is in our own Milky Way galaxy (this is, apparently, its actual name — I expected it to have an official scientific name like Galaxy Number One or something, but no). One exception is the Andromeda galaxy, which is barely visible as a hazy star near Casseiopeia.

Herschel tried to determine the shape of the galaxy (1785) but didn’t do very well because so much of it is obscured by interstellar dust and gas. The galactic plane, in fact, is well above the bright line we can see, but obscured by dust. We can use wavelengths that are not obscured by dust (e.g. infrared) and “standard candles” such as Cepheid variable stars, whose absolute brightness can be determined from their periods, to determine the galaxy’s actual shape.

Stars in the galactic disk have nearly circular orbits, while “halo” stars outside the disk have highly elliptical orbits. The orbits of stars in our galaxy and others show that most of the mass of the galaxy is distributed smoothly throughout the galaxy rather than concentrated in the center. The speeds of the orbits tell us that there is a LOT more of this mass than we can account for through visible objects such as stars. But what is it?

Could this dark matter be ordinary dust and gas? No. We know the abundancies of baryons (protons and neutrons) in the universe from studying the Big Bang, and there aren’t nearly enough to account for the invisible mass.

Could it be WIMPs (Weakly Interacting Massive Particles) such as neutrinos? No. Although neutrinos don’t affect normal matter much, they do affect it, and we have performed experiments (using large quantities of dry cleaning fluid) that show there aren’t enough of them either. A theoretical WIMP called the “axion” has been proposed but never observed.

Could it be MaCHOs (Massive Compact Halo Objects) such as black holes and brown dwarfs? Maybe, but probably not. We can detect these objects through “gravitational lensing” (a distant object changing its brightness or apparent position as a MACHO passing in front of it warps its light) and we don’t see enough such events to account for the missing mass.

Could it be that we are simply wrong about gravity? No. MoND (Modified Newtonian Dynamics) seemed plausible until 2006. The Bullet Cluster consists of two clusters of galaxies that have recently passed through each other. We can see the hot gas of these two clusters (which is normal matter) using X-ray telescopes, but we can also find their centers of mass using gravitational lensing of the galaxies behind the cluster. The two centers of mass are farther apart than the visible gas. This tells us that the majority of the mass in the two clusters does not interact with itself or with the matter of the clusters in the same way as normal matter. (This Scientific American article includes a very helpful video simulation.)

I must say that I was both confused and skeptical about the very weird stuff called “dark matter.” (Note: not to be confused with “dark energy,” which we talked about later.) I didn’t understand why this strange non-interacting stuff had to be invoked when it could just be, well, matter that was just dark. But the Bullet Cluster was for me, you should pardon the expression, the smoking gun.

Many galaxies have spiral arms. If you look at a picture of a spiral galaxy it looks just like water going down the drain, or a hurricane, and you think you can tell which way it is rotating. The actual rotational direction is the other way. Spiral arms are, in fact, standing waves in the interstellar medium. At the leading edge of these waves (the inside edge of each sickle-shaped arm), new stars are born as the interstellar medium impacts the shockwave. The bigger, hotter stars burn out first, so the leading edge is brightest, fading away to blackness as most of the newborn stars burn out or fade away.

We can measure the distance to other galaxies by using Cepheid variables and type Ia supernovas (these are white dwarfs in binary systems that collapse when they accrete too much matter from their companion — we know exactly how bright they are because they explode immediately when their mass rises to a certain value). These “standard candles” tell us that distant galaxies are moving away from us with a speed proportional to their distance.

The galaxies aren’t moving through space, as any fule kno… it’s space that’s expanding. This expansion is happening everywhere, but it’s only visible in intergalactic space because at smaller scales the force of gravity is greater than the expansive force. This is why the galaxies are getting farther apart instead of just bigger.

By studying the three degree Kelvin background radiation that is the echo of the Big Bang, we can determine the initial conditions of the universe and determine that the total mass of the universe is almost exactly what is needed to make the universe “flat”, meaning that it will neither expand forever nor contract in a Big Crunch: the expansion will slow down and stop at some point. But there isn’t enough matter, even including dark matter, to account for this flatness, and when we measured the rate of deceleration, we got a surprise: it wasn’t slowing down at all, it was speeding up!

Turns out there’s a “cosmological constant” in Einstein’s equations, which was thought to be zero, but if we set it to a negative value it explains both the accelerating expansion of the universe and the missing mass. The missing mass is the mass equivalent of this weird anti-gravitic energy. We don’t know what this “dark energy” is — it has never been observed directly — but it makes the equations balance.

It may be that the cosmological constant itself is increasing. If it stays the same, the universe expands so fast that all other galaxies will eventually fade from view. If it is increasing, it will eventually get big enough to overcome atomic forces and everything in the universe will be torn apart: the “big rip.” For now, though, it’s less powerful than gravity and other forces, meaning its effect is only visible at the very largest scales.

After that cheery reassurance we went to the computer imaging lab where we got a talk by Chip Kobulnicky on imaging in astronomy. Raw images from the Wide-Field Planetary Camera on the Hubble space telescope look awful. They consist of four rectangles (three large, one small) with big visible seams between them, speckles of noise, and cosmic ray streaks. Scientists and technicians have to do a lot of processing to make them look all pretty and colorful. We also got some hands-on experience using a program called ds9 to combine the R, G, and B images of the Ring Nebula that were taken at WIRO on our field trip the other day into a single color image. Here’s the result:

(It’s kind of grainy because the exposure was short.)

The day ended with a talk on SETI by scientist/philosopher Jeffrey Lockwood. This talk was a bit of a surprise as we spent the whole time talking and writing about what messages we, as writers, would send to aliens, ignoring questions of transmission mechanism and language. It was an interesting writing exercise, and thought-provoking, but was so different from the hard science focus of the rest of the week that some of us felt kind of whiplashed.

One of the things I wrote during this session was a message to express the importance of “pattern” to humans while simultaneously encoding the Fibonacci sequence:

Instance.
Instance.
Another instance.
It happens again.
Why does it happen again?
Can we predict what the next instance is?
By observing phenomena, we learn about the universe and learn to predict events.
We find patterns and recurrences in all kinds of physical phenomena, from molecules to stars, simple to complex, insert and alive.
Once we have discovered a pattern, we can build devices, craft new experiments, build more knowledge on top of what we have already learned, and even begin to make changes and improve our environment.

We finished the evening on the roof of the physics building, looking at binary stars, globular clusters, the planet Jupiter, and various satellites (including the International Space Station) with night-vision goggles, binoculars, and two very nice amateur telescopes.

Apparently I do not know what’s good for me. Night, all!