Seriously, think about it. How tall is a horse? The answer — specifically, the units of measure you use — says a lot about you, and about your culture, and my goal here today is to get you thinking about how units of measure can be used as a tool for worldbuilding and character development in fiction.
I bet a lot of you would state your answer in terms of feet and inches. Just from knowing that about you, I can tell that you’re either a present-day American, or a member of certain European and European-derived cultures from the middle ages to the local introduction of the metric system. But during the earlier part of that period you might have thought in feet and barleycorns rather than inches, or in fractional feet — five and a half feet rather than five-foot-six. At other times and places the larger unit would be the yard rather than the foot.
Also, you might have to specify whose feet and inches you are using, as they varied from city to city or which monarch you followed. Napoleon’s height, for example, was five-foot-two in French feet and inches, which is part of the reason the English thought he was short. But that was actually five-foot-seven in English units… taller than the average Frenchman of the time. Whether in dialog or in a character’s internal voice, a character’s consideration and specification of exactly which units to use can do a lot to define a character’s background and priorities as well as the time and place.
If you state your answer in meters and centimeters, I can tell that you’re either a member of certain cultures following the French Revolution, or an American to whom precision and international standards matter more than following the crowd. This offers a clue to your personality, profession, and priorities as well as the time and place in which you exist — it’s a character as well as a worldbuilding item. To completely understand what this choice means you’ll need more contextual information, but even knowing that the choice has been made gives the reader important hints about the character.
Many people will state their answer in hands, or hands and inches, and know that it is measured to the withers, or top of the shoulders. This tells me that you are either an equestrian in a modern English-speaking country, or perhaps a resident of the middle ages or ancient Egypt. Again, knowing the context is necessary to understand exactly what this choice says about you. If your answer is “hands or inches, depending on whether it is a full-sized horse or a pony” that tells me still more about you.
Many other units of measure have been used at different times and places, or may be used in future or fictional cultures. An answer stated in cubits, spans, paces, or fathoms suggests that you are a member of certain earlier human cultures. Answers in dhanu, chi, or cabda specify India, China, and the Arabic world. However, if you use units unfamiliar to the reader, you may have to include other clues; if the character thinks of a person as being six chi tall, the reader will not immediately know whether that’s particularly tall, particularly short, or of average size (and, furthermore, average human height changes over the course of history).
Getting even further afield, answers stated in simile or metaphor tell us still more about the character and their culture. “Tall as a church-steeple” or “thin as a credit card” or “wide as the Grand Canal of Mars” provide immediate insight into who the character is, what’s important to them, and what their economic status is as well as where and when the story takes place.
Entirely made-up units can also be used, and these can tell us even more. “Imperial thornogs” implies an empire, and furthermore an empire in which an earlier, non-Imperial thornog existed. If the thornog is divided into ten squant, that suggests a decimal and hence more scientific culture, but if it’s divided into six or twelve squant that suggests a more agrarian one. If it’s divided into seven or eleven squant, that implies a non-human, or at least decidedly non-Western, culture. But, again, you’ll have to provide additional information to let the reader know whether a horse that’s five thornog and two squant high, measured at the antennae, is a particularly fine specimen or a runt. When carefully handled, describing an object in fictional units can inform the reader about the object, the observer, and the setting in just a few words.
Every time a character sees anything, they will seek to comprehend it in terms that make sense to them. Conveying those terms to the reader helps the reader understand the character and their culture, and can be an important tool for both worldbuilding and character… and even plot. Football, after all, is a game of inches.
I see that the cover of Arabella the Traitor of Mars, the third and final book in The Adventures of Arabella Ashby, is out in the wild! (Click to embiggen.) The book will be available on July 31, 2018 and here’s the publisher’s description:
Arabella and the Battle of Venus was well received:
At the convention I got autographs from guests of honor Gordon R. Dickson and Robert Lynn Aspirin (he was the Fan GoH, not yet a pro writer, and famous mostly for founding the Dorsal Irregulars; my badge bears the note “not a Dorsal Irregular” because I was wearing a black turtleneck) and spent most of the time playing the new-to-me game of D&D. A couple of weeks later, I got a letter from the organizers inviting me to attend a MA2OSF3 meeting. I attended, I had a good time, and I started hanging out with them. I went to a couple more conventions that year, in Chicago and Champaign-Urbana, and several more the next, including Wiscon 2. When X-Con ’78 rolled around the following June I was on the committee, as co-head of Gaming.
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